Thursday, May 2, 2013

Fires in the Mirror


If you were to take out the beginning monologues, you would essential be creating a different play altogether. The first monologues are there to give background information, and insight to the different way, beliefs, and traditions within the community. What Smith has managed to do in this script is to create a smooth transition from topic to topic, and give the people involved and affected by the event an identity. Take a look at the second and third monologues of the play, Static and 101 Dalmatians. In these monologues, the two different sides of the community have their own separate voice, their own stories to tell. For Static, you have a woman relaying a challenge she faced on Sabbath, and what she had to do to overcome it, even though she was viewed as stupid or ignorant by those who did not understand her culture. In 101 Dalmatians, he talks about how special people always told him he was, and then when he ventured past those peoples boundaries, he was viewed as nothing and treated as nothing. The final two lines of that monologue is:

“And then there’s a point when,

And then these two things come into contact.”

                These are very important to the script. It foreshadows the major event of this script that about to come up, and is the main subject of this play. If you were to just start from the middle of the script, you will have taken away the character's identity, and turned them into just another news story yet again. These transitions within the play allows the people to ease into the situation at hand and not have to face it all at once, without having any idea of how to take it. They would automatically choose a side, without knowing the way of the two different types of people involved. With that being said, I think the original sequence of events should be kept intact, and included with the rest of the play.

3 comments:

  1. I agree that the beginning monologues were used as an introduction and as transitions but what affect did they have on your interpretation of the script? Why contextually rather than mechanically do you think she chose to include those monologues? I like that you talked about the way they foreshadow the major event of the script and that had she not included them, the characters would become just part of another news story. (I touched on that too!! :))

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    1. The beginning monologues allowed me to create an image of the people who were affected by this incident, and relate to their identity. With this i was able to understand how both sides felt, and also understand their different reactions to the events.

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  2. You make a pretty good point, Morgan, in bringing up that the play would be just like a news story if it did not include the first half of the play. We would have no more reason to care for these people than if we had just seen a blurb on the bottom of a different newscast. Without the context of identity and the social circumstances before the event, the actual events of the Crown Heights Riots really don’t mean anything. It’s just another statistic, right?

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